12: world literature 2 template

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Download a template for WL2 and follow the instructions.

8: chapter 9-10 discussion

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analysis notes

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I gave this to 11s, but 10s and 12s might find it useful as well.

10: The Glass Menagerie essay

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Here is the assignment information for the essay.

How to submit work via Moodle

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To submit your work for my classes, you will upload a file rather than putting the content of the assignment in a Moodle message. Follow these directions.

1. Complete your assignment using a standard word processing program.

2. You need to use a file name so that both you and I can recognize what it is. Your file name will be your last name followed by a word or abbreviation of the assignment. For instance, if I wrote an essay about Macbeth, I would name my essay file 'kilmermacbeth.doc.' On each assignment, I will tell you how to name your assignment.

3. Log on to Moodle, using your user name and password.

4. From the *My courses' box on the left sidebar, choose your English class.

5. Find the essay assignment posted there and click the link.

6. Here you need to upload the essay document. Click 'Browse...' to allow Moodle to find the essay on your computer drive or a USB device, choose the properly named file, then click 'Upload this file.'

7. I will read your essay and sen

11: hero's journey

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We talked about the journey as an archetype of literature we could use to understand aspects of Catcher. On the site where I got the handout, he goes through The Matrix as a hero's journey. Skim down a little to find it.

11: Hero's journey

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8: 'Nothing Gold Can Stay'

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Here's our notes on the poem. Sorry the right side got cut off.

8: The Outsiders movie

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The Outsiders Poster

Someone has put the entire 1983 movie of The Outsiders on YouTube. I can't vouch for its quality or age appropriateness -- it was rated PG-13 in the USA, and K-16 in Finland.

8: important stuff from chapters 2-3

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11: intro. to The Catcher in the Rye

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12: No Fear Shakespeare: Hamlet

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Here is the side-by-side text of Hamlet I showed off in class Monday.

12: Hamlet introduction

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10: expressionism

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http://www.biddingtons.com/content/images/pollockautumn.jpg

Here's an article about expressionism in visual arts.

And one about abstract expressionism.

10: drama with a narrator

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The Glass Menagerie starts with a character acting as the narrator, speaking directly to the audience. A well-known example is Ferris Beuller's Day Off, from 1987. Here's a clip, but be warned that there is some mild swearing about halfway through.

10: images of The Glass Menagerie set

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Click on the images to see their sources.

http://www.julianarosalia.com/TD102/images/GlassMenagerie_NDSU.jpg

Here you can see the fire escape, the living room in front and the dining room in the back.

8: groups of friends

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Here's our notes from today:



8: what to think about when creating a text

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Here are the principles of writing we talked about in class today after writing about apples.

9: 100 word short stories

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http://www.onthecommons.org/media/image/large/onehundred527883598_60796c549c_b_d.jpg

Write a short story with 100 words or fewer. It should have as many features of an interesting story as possible, and it must be written in standard, readable English.

When you are done, format it so it fills a landscape A4 page and print. Mr. Kilmer will show an example.

If you don't have time to format it, post as a comment to this entry.

Royal National Theatre live broadcast at Finnkino

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Phédre (by Jean Racine in a version by Ted Hughes) starring Helen Mirren broadcast live from the Royal National Theatre in London. Shown at the Maxim theatre in Helsinki Monday 25 May at 20:30.

More information: from Finnkino and from National Theatre.

11: World Literature assignment template

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Download the MS Word document here.

9 self assessment

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Put your self assessment in a comment. Make sure you include your name.

reading lists part 2

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So here are some interesting lists I found. Click on the image to go to the site.
 enCompassCulture.com I strongly recommend this well-designed site from The British Council. It has recommended lists for different age levels with specific categories, and the blurbs are interesting and useful. I went in for a quick skim and came out with five new titles I want to read.

FamilyEducation.comThis seemed to be a pretty standard list of young reader classics from the American perspective. The same site has other reading lists.

This is a lively list of new stuff to read from New York Public Libraries. NYPL also has the ALA Top Ten Young Adult Books list, with short reviews.

Users can register and vote on books, and those books are assembled into various lists. It's a bit of a mess, but has lots of reviews of lots of books. I linked the teen section but there are many other lists as well.

A review site for 10-15 year olds written by 190-15 year olds. The newest reviews are of books from 2005, so it's not too up to date, but the categories seem useful, and it is well designed and easy to read.

For something more serious, check out a list of 101 Great Books recommended for college applicants.

The Big Read is a American National Endowment for the Arts literacy program, and they have assembled a nicew list of classics of American literature. Of course, it has the same name as the BBC Big Read, a 2003 competiton throught the UK to choose the nation's most popular books. They have ranked them up to 100.

Any other lists to recommend?

reading list part 1

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http://carla247.typepad.com/.a/6a00d8341c034253ef01156f10c304970c-800wi

I am often asked about recommended books for different aged students. I have some thoughts about how to choose books to read generally.

  • My first recommendation is to go to a library and just start pulling stuff off the shelf. Does the cover look attractive? Is the blurb interesting? Read the first page. Browsing and sampling is what most readers do.

  • Choose a genre and start working your way through it. I recommend mysteries, or spy novels, or westerns ... whatever you are interested in.

  • Ask friends what they've read, and try out those books.

  • I find the Amazon sites useful for finding new books. If you enter a book you like, look at the 'Customers Who Bought This Item Also Bought'  listings for more ideas. Also, Listmania! allows Amazon users to make lists of books they like or that fit some category in which they are interested. For instance, I like Boy by Roald Dahl, and I found a list called 'Children's Books I could read forever' put together by a teacher in Norway.


In part 2, I have some links for some interesting and useful online reading lists.

10: Pride and Prejudice commentary assignment

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http://rlv.zcache.com/i_love_mr_darcy_hat_embroidered_hat-p233486199074172672ai9gf_400.jpg

Here's the pdf.

draft due: Monday 11 May
published due: Friday 15 May

9: Network clip

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We were talking in class about how a System can be accepted and then opposed. I was reminded of this clip:

11: world lit intro slideshows

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Antigone:


Three Sisters:


Mother Courage:

11: Room with a View introduction slideshow

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11: Bible help

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Literature often has references to the Bible with which you may not be very familiar. The Brick Testament is fun to read and accurate.

11: Frost on Modern American Poetry

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Here's the entry for Robert Frost on the Modern American Poetry site.

10: Pride and Prejudice discussion questions, ch. 35-38

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Pride and Prejudice discussion questions, ch. 35-38

What to discuss as a class or in small groups and put into your notes:

11: sample planning for 3 Sisters essay

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This is the practice we did in class, developing a thesis for a Three Sisters essay.

10: Pride and Prejudice links

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Sparknotes summaries

etext of the novel

a hypertext of the novel, with loads of other ways of accessing the novel

For those who want a little more action in the novel, check out this new book:

11: lecture notes for Mother Courage intro.

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1. Bertolt Brecht (1898-1955); German political playwright, exiled in 1933

2. Brecht: ‘How can theatre be entertaining and at the same time instructive? How can it be taken out of the traffic in intellectual drugs and transformed from a place of illusion to a place of insight?’

3.Epic, non-Aristotelian or dialectic theatre

4. alienation effects :

  • titles

  • fragmentation of scenes

  • music

  • staging: minimalist, but with the texture of reality

  • language

  • acting style


5. Brecht: ‘What is a performance of Mother Courage & Her Children primarily meant to show?
That in wartime big profits are not made by little people. That war, which is a continuation of business by other means, makes the human virtues fatal even to their possessors. That no sacrifice is too great for the struggle against war.’ (xvii)

6. The Thirty Years War (1618-1648):
Imperial Catholic Germanic states
vs.
Protestant Germanic / Scandinavian states

7. Philosophical position of communism

  • dialectic

  • minimalism of individuality

  • need for action

11A1: The Three Sisters reviews

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When studying a play, it can be useful to read reviews of productions of that play. Here are a few I found:

9: Caged Bird map

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Here is a map of the locations of the book around the United States. Click the link below to zoom in and see street-level views.


View Larger Map

11: Three Sisters act I movie on YouTube

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11: 10 things to know before studying The Three Sisters

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12 standard: paper 2 planning

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Here's the question we worked with on Wed. 11.3.09:




“What happens in fiction is what distinguishes it…” Using at least two works, show how far your interest in novels and short stories has been based on the events and how much of your interest has been in other aspects?



Here are the notes preparing a thesis statement:

See the great London race!

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10: reader response essay

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The goal of this essay is to explain how you experienced reading the play relative to specific techniques and elements of the play. In a reader response essay, you may refer to yourself as a reader, (using ‘I’ or ‘we’), explaining how specific elements of the play affected your emotional and intellectual response. You should not express your attitude about the quality of the play: it should analyze the way the author uses the text to have an effect on a specific reader, namely yourself or a reader just like you.

Basically, you are linking technique to the impact it has on the reader, instead of theme. Your thesis statement will identify the specific effect the identified techniques or features have on your reading of the play.

Choose one of the following prompts below: I have listed them in order of increasing difficulty. Again, please choose wisely.

Uploading London photos

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I've created a Picasaweb site for our London pictures. Here's the link to see photos.

Here's how to upload photos:

Let's celebrate!

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For the week of 23 February - 1 March.

Let's celebrate!

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For the week of February 9-15.

London trip

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I've created a Google map for the grade 10 London trip. Check it out!

Here is also a pdf of the trip information.

Map for London trip

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View Larger Map

Much Ado About Nothing act III quotations

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For 2 (TWO) of the quotations below, explain the significance of each passage. Relate it to a theme, the development of character or the development of conflict.



For each passage, you must cover the needed analysis in less than 200 words.



10A: Due Tuesday10 February.


10B: Due Wednesday 11 February.



"Some Cupid kills with arrows, some with traps." (III, i)



"If I see anything tonight why I should not marry her tomorrow, in the congregation where I should wed, there will I shame her." (III, ii)



"Yet Benedick was such another, and now is he become a man. He swore he would never marry; and yet now in despite of his heart he eats his meat without grudging. And how you may be converted I know not; but methinks you look with your eyes as other women do." (III, v)

Let's celebrate!

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For the week of February 2-8.

10: sample Much Ado quote paragraph

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"There is a kind of merry war betwixt Signior Benedick and her. They never meet but there's a skirmish of wit between them." (I, i)




Leonato provides exposition for the relationship between Benedick and Beatrice and one of the conflicts of the play, and sets the tone for that conflict. Leonato’s use of war as a metaphor is apt since Benedick is a soldier, and foreshadows the contrast between being a soldier and a lover as discussed later in the play. The paradox of a 'merry war' sums up a view of love: that it is competitive, but at the same time light. This sets the context for the relationship between the two characters and lets the audience know that their respective jibes are not to be taken seriously. Beatrice has already made insulting comments regarding Benedick (contrasting the praise the messenger has heaped on him), and so the audience sees her as a shrew, but Leonato's explanation contextualizes her behaviour and makes it less threatening. Leonato follows this exposition with the further explanation that they engage in a 'skirmish of wit' when they meet, and Beatrice’s play on words on the lost wits of Benedick illustrate her use of wit. This is contrasted in the scene with Hero’s lack of verbal interaction generally, encouraging the audience to see Hero and Beatrice as foils.



199 words

Much Ado About Nothing act II quotations

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For each of the quotations below, explain the significance of each passage. Relate it to a theme, the development of character or the development of conflict.



For each passage, you must cover the needed analysis in less than 200 words.

11: Antigone website

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Structure and Plot of Antigone is a website about, well, the structure and plot of Antigone. I'm using it in class.

10: Playing Shakespeare site

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Shakespeare's Globe has a website called Playing Shakespeare about aspects of their production of Much Ado About Nothing. Interesting and useful, I think.

11: Fatboy Slim

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This video -- the amateur dance troupe -- is how I picture the skeels of the non-professional Greek chorus.

Enjoy.

9B: Macbeth performance assignment

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You will be delivering a performance of part of a scene from Macbeth and analyzing your own performance in a character/interpretation assignment. Here are the rules:





  • You may work alone and perform a soliloquy, or in groups. If you work in a group, each group member needs to have a major part, with at least 5 lines. Minor parts can be cut or filled with members of other groups.

  • The scene should be at least one minute long per group member but a minimum of 3 minutes long (unless doing a monologue).

  • You may cut lines, speeches, and anything else that gets in the way of a clean & focused performance, but you need to use the original language.

  • You need to bring some kind of costumes. Decide as a group what you want and what you can bring.

  • The scene should have a clear interpretation: you will use the scene to tell us what you think the play is really about.

  • You will not need to memorize your lines, although you need to know them well.

  • Your goal should be to be interesting, meaningful, creative, and well prepared.

9B: Macbeth essay sample introduction and conclusion

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thesis statement: While the behaviour of Macbeth and Lady Macbeth demonstrate a conflict between emotion and reason, Shakespeare shows that emotion is more powerful.



introduction:

Generally, in the modern world, we prefer reason over emotion. We are taught that reason and logic are more trustworthy, while emotions can lead us astray. However, Shakespeare presents a different view in Macbeth. While the behaviour of Macbeth and Lady Macbeth demonstrate a conflict between emotion and reason, Shakespeare shows that emotion is more powerful.

conclusion:

In conclusion, the behaviour of M and LM shows the superiority of emotion over reason in the play. But can that be true in our modern world? Yes, reason plays an important role in all decision making, but emotion is needed to provide the human aspect that ends up being so important to us. We as people are not only rational but also emotional by our nature: to ignore this is to risk making our lives tragedies, like Macbeth.


9B: Macbeth essay

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You will write a four-paragraph essay, following the provided outline. In each paragraph, use the best possible structure, and provide examples whenever appropriate. Also, use transitions between paragraphs to explain the relationships between the ideas.



Choose one of the conflicts of the play we have identified:



• appearance / reality


• ambition / honor


• fate / will


• guilt / amorality



You will explore what the play has to say about that conflict.



Introduction: Find an interesting way to introduce the conflict generally, put the conflict in the play and end with a thesis statement.



Thesis statement: In a single sentence, explain what you will say about the conflict, including the structure of the two body paragraphs.



Body paragraph one: Show the presence of the conflict throughout the play. Use examples and use the key words from your thesis statement to analyze those examples.



Body paragraph two: Explain how Shakespeare resolves the conflict. Use examples (probably from the last act or two) and analyze.



Conclusion: Restate the thesis briefly and express your own ideas about that conflict in the real world.



Rules


Essays should be 500-1000 words long.


In the final draft, essays should be 1½ -spaced or double-spaced.



Due Dates


Tuesday, 20 January: complete working drafts reviewed in class


Thursday, 22 January: published essay due



Assessment

















A: Content



B: Organization



C: Style & Language



· Do show a perceptive understanding of the ideas from the novel?


· Do you carefully choose details from the novel or other wise to support your ideas?


· Do you discuss and analyze ideas in a manner which focuses on significant concepts in a sophisticated manner?



· Are the paragraphs organized in a way to focus on the main idea of the essay?


· Are examples integrated in a sophisticated and focused manner?


· Do transitions show cohesion and movement between paragraphs?



· Are you ‘following the rules’ of spelling, grammar and punctuation?


· Do you use the right word for the right situation?


· Are you using the language of literary analysis?




9B: Sample Macbeth paragraph

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Here's the sample paragraph we wrote in class Tuesday.

Discuss the symbolism of blood in scene two, and apply it to specific lines.



In act 2 scene 2 of Macbeth, Shakespeare uses blood as a symbol of guilt in order to contrast for the audience how Macbeth and Lady Macbeth deal with the guilt over the death of Duncan. When Macbeth returns from having killed Duncan and finds blood on his hands, he worries about the ability to wash his hands clean. ‘Will all great Neptune's ocean wash this blood / Clean from my hand? No, this my hand will rather / The multitudinous seas in incarnadine, / Making the green one red.’ (II.ii.27-30) Shakespeare does this to show Macbeth’s strong sense of guilt over the act he has just performed. By saying that he doubts whether he can wash his hands clean, Macbeth symbolically shows his doubts that he will ever be free of the guilt over the murder. In fact, not only will his guilt be permanently on his hands, but it will make all of the sea red: this foreshadows the fact that Macbeth’s sense of guilt will affect not only him, but all of Scotland as it motivates his tyranny. On the other hand, Lady Macbeth has a totally different attitude about the blood and, symbolically, her sense of guilt. She says, ‘My hands are of your colour,’ but in contrast with Macbeth, assumes that ‘A little water clears us of this deed: / How easy is it, then!’ (II.ii.39-40) Lady Macbeth sees the guilt, symbolized by the blood on her hands, as insignificant; it can easily be washed away, forgotten, left behind. By having both characters talk about the blood on their hands, Shakespeare contrasts the two characters’ attitudes about guilt and the consequences of evil actions.

10B: sample analysis paragraph

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Here’s the sample we wrote in class. It’s about the ad linked above.

Association




One of the most common ways of selling a product is through association. With this technique, the product is linked to a desire to which the advertiser believes the target audience will have some attachment. In the 1971 Coca-Cola advertisement, the association is with idealism, unity and internationalism. Because the late 1960s and early 1970s were heavily influenced by the youth counter-culture movement of the anti-war protests and the ‘hippie lifestyle,’ these were ideas and desires that were important, especially to young people. Naturally, young people are the target audience of the ad. When the ad starts, a young woman is singing the song alone. Her natural appearance and the fact that she is looking off into the distant sky gives the impression of her sincerity and idealism. As the song continues, more people start singing with her, giving the impression that the song is gaining in strength as the voices, belonging to a group of people with various ethnicities and wearing clothing suggestive of national costumes. (I would then go on the describe the nature of the song, the outdoor setting, the girl at the end looking like she might cry, the slogan 'The Real Thing,' etc.)

10A: sample analysis paragraph

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Here's the sample we wrote in class. It's about the ad thumbnailed above. (Click for a bigger copy.)



ironic ad



Some advertisers will avoid the more mainstream advertising techniques and instead use ironic ads. Ironic ads make fun of traditional ads, and by so doing they make the consumer feel like the product trusts them. In other words, the consumer is treated like she is too smart to actually be advertised to. A classic example is the Volkswagen ‘Think Small’ campaign. Volkswagen wants to make a claim of a unique selling proposition, so they emphasize not only the differences between this car and other cars on the market, but also the differences between this ad and other car ads. For instance, the car is shown very small and on a neutral, white background, making it look somewhat ridiculous. Most car ads would show the car in great detail and in a highly associative context. The slogan ‘Think Small’ is the opposite of what one expects a car ad to say, thus making fun of that more traditional style of advertising. (Then you would keep writing about the other techniques in the ad.)